Happy Sunday! Today I am going to share with you part of my Grandma Rachel’s Manta Series.

Blue Lightening, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 39"x40", 2000

Blue Lightening, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 39″x40″, 2000

She designed this series to be stunning, yet affordable. You weavers (and probably everyone else) will be able to tell that 2/3’s of each of these weavings has little to no tapestry. The plain weave on either side of the complex center makes these tapestries a lot less work than a weaving that has tapestry throughout. Therefore, the price was very reasonable for a work of art this size. Most pieces in Rachel’s Manta Series are 40”x40”.

Tango in Red, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 40"x40", 2001

Tango in Red, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 40″x40″, 2001

With these three tapestries, you can see the stunning effect of the use of only two colors – a saturated base with a “white” accent. However, I don’t believe the “white” is actually white in any of these three tapestries.

Amazing Marigold, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 40"x40", 2001

Amazing Marigold, Handwoven Tapestry by Rachel Brown, Hand-dyed Wool, 40″x40″, 2001

My Grandma developed a series of dye recipes for our Tapestry Yarn that allows us to get five shades of one color. So, for example, Amazing Marigold was probably woven with our Marigold A and Marigold E Tapestry Yarn. A true white against any one of these colors would probably be almost too much contrast. The tiny bit of dye used in the E’s of each series of our Tapestry Yarns, allows for a “white” color that works well with the other members of that series. Look closely at Tango in Red and Amazing Marigold and you will be able to tell that there is a little bit of color in the “white”.

These are just three of many tapestries in Rachel’s Manta Series. There will be more to come! Enjoy!

5 comments on “Sunday Inspiration, The Tapestries of Rachel Brown: The Manta Series, Part 1

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